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AP® teachers know the roots of AP® success are established in the earlier grades. That is the idea behind Foundations of Language & Literature, a complete program for 9th Grade Pre-AP® that establishes foundational skills, while challenging bright young minds.
The book is drive...
AP® teachers know the roots of AP® success are established in the earlier grades. That is the idea behind Foundations of Language & Literature, a complete program for 9th Grade Pre-AP® that establishes foundational skills, while challenging bright young minds.
The book is driven by the expertise of Renée Shea, John Golden, and Tracy Scholz who know that skills like reading, writing, and working with sources need careful development and constant reinforcement. This genre and mode-based book approaches the course in new ways, investigating nonfiction as well as literature, delving into fascinating argument-driven thematic units, and asking students to write in the genres, to empower them to read like a writer.
Innovative, challenging, and nurturing, Foundations of Language & Literature has all the support young minds need to be prepared for AP® success.
With the publication of Foundations of Language and Literature, BFW now offers a unified program of Pre-AP® and AP® English textbooks from grades 9 through 12, that guides students from introduction to mastery with a consistent tone and treatment of key AP® topics.
ISBN:9781319358525
Read and study old-school with our bound texts.
AP® teachers know the roots of AP® success are established in the earlier grades. That is the idea behind Foundations of Language & Literature, a complete program for 9th Grade Pre-AP® that establishes foundational skills, while challenging bright young minds.
The book is driven by the expertise of Renée Shea, John Golden, and Tracy Scholz who know that skills like reading, writing, and working with sources need careful development and constant reinforcement. This genre and mode-based book approaches the course in new ways, investigating nonfiction as well as literature, delving into fascinating argument-driven thematic units, and asking students to write in the genres, to empower them to read like a writer.
Innovative, challenging, and nurturing, Foundations of Language & Literature has all the support young minds need to be prepared for AP® success.
With the publication of Foundations of Language and Literature, BFW now offers a unified program of Pre-AP® and AP® English textbooks from grades 9 through 12, that guides students from introduction to mastery with a consistent tone and treatment of key AP® topics.
Features
Opening Chapters—An Active Approach to Foundational Skills
In the first four chapters of Foundations of Language & Literature, students are taught skills essential for communication in the classroom and the world: discussing ideas civilly, listening actively, writing clearly and with an authentic voice, reading actively and critically, and using and acknowledging sources. These skills are practiced frequently, in low-risk formative activities threaded throughout the chapters.
Chapter 1: Starting the Conversation focuses on civil discourse in the classroom; developing an academic voice; listening actively; asking questions to clarify, build upon, or challenge an idea; and reaching consensus. This chapter also covers techniques for classroom presentations and public speaking.
Chapter 2: Writing asks students to consider how their voices might change to suit a particular subject, purpose, audience, and occasion. Those changes in voice are created through playing with word choice, altering sentence structure and punctuation, and recognizing the effects. Finally, students work on creating a clear and unified paragraph.
Chapter 3: Reading asks students to explore three different types of reading: Reading for Understanding, Reading for Interpretation, and Reading for Style. Students get in-context practice in skills essential to each type of reading, such as annotation, summary, finding the main idea, and analyzing themes. This chapter also walks students through techniques for overcoming reading challenges, such as difficult words, lack of context, complex sentence structures, and unfamiliar word order.
Chapter 4: Using Sources is an introduction to finding and using evidence. The chapter focuses heavily on reading critically in order to assess credibility and bias, especially of online sources. The chapter then walks students through the key moves of evidence based writing: navigating a range of ideas, integrating quotations, acknowledging sources, and avoiding plagiarism.
Readings Chapters—Building Confidence/Exploring Ideas
Foundational Genre/Mode Approach. The readings chapters break down the essential skills and clearly outline the expectations of working with each genre or mode:
Genre/Mode…with a Thematic Twist
To help 9th graders engage with real ideas and wrestle with complex issues, Foundations of Language & Literature embeds a thematic Conversation of texts in each genre/mode chapter, extending out from an issue in the Central Text. These compact synthesis clusters deepen the teaching of the Central Text, and encourage lively and authentic discussion, thinking, and writing. For example:
Differentiated Texts for Targeted Instruction
In each genre/mode chapter, Foundations of Language & Literature divides the texts into three sections for students at different preparation levels:
Three Skill-Building Workshops per Chapter
Seeing Connections - Deepening Student Thinking
Seeing Connections boxes accompany readings throughout the book. These boxes juxtapose brief texts or visuals with the main reading, offering information that supports, challenges, qualifies, or extends an idea in the main text. Seeing Connections challenge students to think critically and creatively.
Images with a Purpose
Every visual text in Foundations of Language & Literature serves a clear, authentic pedagogical purpose. Images were carefully selected to inform the reading of a print text, suggest new ideas, provide additional context, extend an understanding to the real world, or allow students to make interesting connections.
Grammar Workshops
For those students who need a refresher, Foundations of Language & Literature contains brief, active grammar workshops that take students from basic understanding, to identification, to application in context, and ultimately back into their own writing to revise.
World-Class Teacher Support
Annotated Teacher’s Editions
In this exceptionally valuable resource, the authors provide helpful marginal annotations on each page to support your teaching of students at all levels—called-out passages for close reading, helpful teaching ideas, tips for avoiding common pitfalls, and more.
Teacher’s Resource Flash Drive and e-Book
Additional tools for teaching with the text can be found on the Teachers Resource Flash Drive, and embedded at point-of-use in the Teachers Edition e-Book. Resources include suggested responses to text questions, additional assessment texts, classroom strategies and how-tos, vocabulary support, key passages for annotation, and additional audio/video/documents.
ExamView® Test Bank
Our ExamView Test Bank takes students from understanding to close rhetorical, literary, and stylistic analysis. Our authors and editors analyzed hundreds of items from national assessments and AP exams to target key skills. The ExamView Test Generator lets teachers quickly create paper, Internet, and LAN-based tests. Tests can be created in minutes, and the platform is fully customizable, allowing teachers to enter their own questions, edit existing questions, set time limits, incorporate multimedia, and scramble answers and change the order of questions to prevent plagiarism. Detailed results reports feed into a gradebook.
New to This Edition
Foundations of Language and Literature
First Edition| ©2019
Renee H. Shea; John Golden; Tracy Scholz
Achieve is a comprehensive set of interconnected teaching and assessment tools that incorporate the most effective elements from Macmillan Learning's market leading solutions in a single, easy-to-use platform.
Foundations of Language and Literature
First Edition| 2019
Renee H. Shea; John Golden; Tracy Scholz
1 STARTING THE CONVERSATION
Building a Classroom Community
Thinking about Voice
Active Listening
Public Speaking
Culminating Activity
2 WRITING
The Power of the Pen
Voice and Tone
Precise Word Choice
Strong Sentences
Clear Punctuation
Well-Built Paragraphs
Culminating Activity
3 READING
Defining Texts
Active Reading
Reading for Understanding
Reading for Interpretation
Reading for Style
Reading Visual Texts
Culminating Activity
4 USING SOURCES
Sources as Conversation
Types of Sources
Finding Sources
Evaluating Sources
Keeping Track of Sources
Using Sources in Your Own Writing
Culminating Activity
5 FICTION
ESSENTIAL ELEMENTS OF FICTION
(Section 1) Ray Bradbury, The Veldt
Sherman Alexie, from The Absolutely True Diary of a Part-time Indian
Lena Coakley, Mirror Image
(Section 2) Etgar Keret, What, of This Goldfish, Would You Wish?
Edgar Allen Poe, The Cask of Amontillado
Richard Connell, The Most Dangerous Game
Angela Flournoy, Lelah
CENTRAL TEXT Amy Tan, Two Kinds
CONVERSATION – Motivation: The Key to Success?
Malcolm Gladwell, from Outliers
Amy Chua, from The Battle Hymn of the Tiger Mother
Adam Grant, How to Raise a Creative Child
Daniel Pink, from Drive
Andre Agassi, from Open
(Section 3) Nadine Gordimer, Once Upon a Time
Kirstin Valdez Quade, Nemecia
Kate Chopin, Story of an Hour
Luke Jones & Anna Mill, Square Eyes (graphic novel)
WORKSHOP 1: WRITING FICTION
WORKSHOP 2: ANALYZING FICTION
6 ARGUMENT
ESSENTIAL ELEMENTS OF ARGUMENT
(Section 1) Lisa L. Lewis, Why School Should Start Later in the Day
NY Times Editorial Board, End the Gun Epidemic in America
Thomas Sowell, History Shows the Folly of Disarming Lawful People
Marc Bekoff, Why Was Harambe the Gorilla in a Zoo in the First Place?
(Section 2) Steve Almond, Is It Immoral to Watch the Super Bowl?
Ta-Nehisi Coates, The Paranoid Style of American Policing
Tina Rosenberg, Labeling the Danger in Soda
Leonard Pitts, September 13, 2001: Hatred is Unworthy of Us
Barack Obama, Hiroshima Speech
CENTRAL TEXT Peggy Orenstein, What’s Wrong with Cinderella?
CONVERSATION – How Does the Media Shape Our Ideas about Gender?
Madeline Messer, Im a 12-year-old girl. Why dont the characters in my apps look like me?
Terryn Hall, When I Saw Prince, I Saw a Vital New Black Masculinity
Vanessa Friedman, Don’t Ban Ads of Skinny Models
Geena Davis Institute, Gender Bias Without Borders
Kali Holloway, Toxic Masculinity Is Killing Men: The Roots of Male Trauma
Jack O’Keefe, How ‘Master of None’ Subverts Stereotypical Masculinity by Totally Ignoring It
(Section 3) Daniel Engber, Kill All the Mosquitoes
Sarah Kessler, Why Online Harassment Is Still Ruining Lives—and How We Can Stop It
Mark Twain, Advice to Youth
Cesar Chavez, Letter from Delano
WORKSHOP 1: WRITING ARGUMENT
WORKSHOP 2: ANALYZING ARGUMENT
7 POETRY
ESSENTIAL ELEMENTS OF POETRY
(Section 1) Jose Olivarez, Home Court
Edgar Allan Poe, The Raven
Suheir Hammad, What I Will
Rachel Richardson, Transmission
Dana Gioa, Money
Billy Collins, Flames
Jenni Baker, You American Boy AND Find Your Way
(Section 2) Nate Marshall, Harold’s Chicken Shack #86
Naomi Shihab Nye, Kindness
Michael Ondaatje, Sweet Like A Crow
William Shakespeare, Sonnet 18: “Shall I Compare Thee…”
Gwendolyn Brooks, We Real Cool
David Tomas Martinez, In Chicano Park
Emily Dickinson, Because I Could Not Stop For Death
Amit Majmudar, T. S. A.
Ha Jin, Ways of Talking
CENTRAL TEXT Langston Hughes, Let America Be America Again
CONVERSATION – What Does the Statue of Liberty Mean to Us Now?
Emma Lazarus, The New Colossus
Concord Oral History Program, Remembrances for the 100th Anniversary of the Statue of Liberty
Tato Laviera, lady liberty
Suji Kwock Kim, Slant
jessica Care moore, Black Statue of Liberty
Michael Daly, The Statue of Liberty was Muslim
(Section 3) Nikki Giovanni, Ego-Tripping
Anna Akhmatova, Somwhere there is a simple life
Reed Bobroff, Four Elements of Ghostdance
Adrienne Su, Things Chinese
Kevin Young, Eddie Priests Barbershop & Notary
John Keats, Ode on a Grecian Urn
Walt Whitman, from Song of Myself
WORKSHOP 1: WRITING POETRY
WORKSHOP 2: ANALYZING POETRY
8 EXPOSITION
ESSENTIAL ELEMENTS OF EXPOSITION
(Text Set 1) Stephen King, Stephen Kings Guide to Movie Snacks
Derf Backderf, from Trashed (graphic essay)
Lisa Damour, Why Teenage Girls Roll their Eyes
Raph Koster, from A Theory of Fun for Game Design
(Section 2) Alan Weisman, Earth Without People
Karl Greenfeld, My Daughters Homework is Killing Me
Susan Cain, from Quiet: The Power of Introverts in a World that Can’t Stop Talking
Martin Luther King Jr., Blueprint for Life
CENTRAL TEXT Troy Patterson, The Politics of the Hoodie
CONVERSATION – How Does Clothing Define Who We Are?
Kehinde Wiley, Willem van Heythuysen AND Ice-T (paintings)
Nora Caplan-Bricker, Women Who Wear Pants: Somehow Still Controversial
Michelle Parrinello-Cason, Labels, Clothing, and Identity: Are You What You Wear?
Hugh Hart, From Converse to Kanye: The Rise of Sneaker Culture
Jenni Avins, In Fashion, Cultural Appropriation Is Either Very Wrong or Very Right
Peggy Orenstein, The Battle Over Dress Codes
(Section 3) Jon Ronson, How One Stupid Tweet Blew Up Justine Saccos Life
Rebecca Solnit, from Men Explain Things to Me
Helen Rosner, On Chicken Tenders
Edwidge Danticat, Black Bodies in Motion and Pain
Samuel Johnson, On the Decay of Friendship
WORKSHOP 1: WRITING AN EXPOSITION
WORKSHOP 2: ANALYZING EXPOSITION
9 DRAMA
ESSENTIAL ELEMENTS OF DRAMA
(Section 1) Sylvia Gonzales S., from Boxcar
(Section 2) CENTRAL TEXT WillIiam Shakespeare, Romeo and Juliet
CONVERSATION – Does Tribalism Bring Us Together, or Pull Us Apart?
Adam Piore, Why Were Patriotic
David Brooks, People Like Us
Beverly Daniel Tatum, Why Are All the Black Kids Sitting Together in the Cafeteria?
Diane Farr, Bringing Home the Wrong Race
David Ropiek, Sports, Politics, Tribe, Violence, and the Social Human Animals Drive to Survive
(Section 3) B. T. Ryback, A Roz by Any Other Name
WORKSHOP 1: WRITING DRAMA
WORKSHOP 2: ANALYZING DRAMA
10 NARRATIVE
ESSENTIAL ELEMENTS OF NARRATION
(Section 1) Santha Rama Rau, By Any Other Name
Mindy Kaling, from Why Is Everyone Hanging Out Without Me?
Marcus Samuelsson, Yes, Chef
(Section 2) Carrie Brownstein, from Hunger Makes me a Modern Girl
Monique Truong, My Fathers Previous Life
Steven Hall, You, Me, and the Sea
Sarah Vowell, Music Lessons
CENTRAL TEXT Julia Alvarez, La Gringuita
CONVERSATION – What Is the Relationship Between Language and Power?
Jimmy Santiago Baca, from Coming into Language
Richard Wright, from Black Boy
Joshua Adams, Confessions of a Code Switcher
Douglas Quenqua, Theyre, Like, Way Ahead of the Linguistic Currrrve
Jessica Wolf, The Seven Words I Cannot Say (Around My Children)
(Section 3) Amanda Palmer, from The Art of Asking
Thi Bui, from The Best We Could Do (graphic memoir)
Haruki Murakami, Even if I Had a Long Pony Tail Back Then
WORKSHOP 1: WRITING NARRATIVE
WORKSHOP 2: ANALYZING NARRATIVE
11 MYTHOLOGY
ESSENTIAL ELEMENTS OF MYTHOLOGY
(Section 1) Neil Gaiman, How the Gods Got Their Treasures
(Section 2) CENTRAL TEXT Homer, from The Odyssey
CONVERSATION – What Is a Hero?
Linton Weeks, Heroic Acts to Protect the Word "Hero"
Katy Waldman, Is Anybody Watching My Do-Gooding?
William Rhoden, Seeing Through the Illusion of the Sports Hero
Stephen Kinzer, Joining the Military Doesnt Make You a Hero
Kyle Anderson, Why Captain America Is America’s Hero
(Section 3) Yusef Komunyaka, from Gilgamesh: A Verse Play
WORKSHOP 1: WRITING MYTHOLOGY
WORKSHOP 2: ANALYZING MYTHOLOGY
Grammar Workshops
MLA Guidelines for Works Cited
Glossary/Glossario of Academic and Literary Terms
Index (key terms + author/title)
Foundations of Language and Literature
First Edition| 2019
Renee H. Shea; John Golden; Tracy Scholz
Foundations of Language and Literature
First Edition| 2019
Renee H. Shea; John Golden; Tracy Scholz
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Unlock Your Preview.Written by master teachers at the forefront of Pre-AP instruction, this insightful Teachers Edition is perpetual professional development at the ti...
Written by master teachers at the forefront of Pre-AP instruction, this insightful Teachers Edition is perpetual professional development at the tips of your fingers. Filled with ideas for differentiation and enrichment, approaches to engage high-achieving students and support developing minds, and tools to help plan your units, this Teachers Edition is a treasure trove of teaching ideas.
Your Complete Quizzing Solution
With nearly 1,200 questions, this ExamView® Test Bank for Foundations of Language & Literature
Your Complete Quizzing Solution
With nearly 1,200 questions, this ExamView® Test Bank for Foundations of Language & Literature takes students from understanding to close rhetorical and stylistic analysis. Our authors and editors analyzed hundreds of items from six national assessments to target key skills.The ExamView® Test Generator lets you quickly create paper, Internet, and LAN-based tests. Not only can you create and format a test in minutes, but the platform is fully customizable, allowing you to enter your own questions, edit existing questions, set time limits, incorporate multimedia, and scramble answers and change the order of questions to prevent plagiarism. Detailed results reports feed into a gradebook.
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Foundations of Language and Literature
First Edition| 2019
Renee H. Shea; John Golden; Tracy Scholz
These materials are owned by BFW High School Publishers or its licensors and are protected by United States copyright law. They are being provided solely for evaluation purposes only by instructors who are considering adopting BFW High School Publishers’s textbooks or online products for use by students in their courses. These materials may not be copied, distributed, sold, shared, posted online, or used, in print or electronic format, except in the limited circumstances set forth in the BFW High School Publishers Terms of Use and any other reproduction or distribution is illegal. These materials may not be made publicly available under any circumstances. All other rights reserved. © 2020 BFW High School Publishers.
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